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Night of the Radishes



WHAT IS THE SIGNIFICANCE OF THE TITLE?

The novel is set in Hopkins, a suburb of Minneapolis, Minnesota, and Oaxaca, Mexico. Oaxaca is an old colonial city that sprawls across a deep-set valley that lies 300 miles southeast of Mexico City. For travelers, Oaxaca is one of the most popular Mexican destinations because of its indigenous charm, folklore and crafts. Many tribes in the surrounding villages are artisans, working in pottery, weaving and wood carving.


In addition to the renowned, carved and vividly painted wooden animals they produce, some artisans carve tableaux from giant, non-edible radishes they grow to enter in the yearly competition. This contest occurs on the evening of December 23 and is named la Noche de Rabanos, the Night of the Radishes. It takes place amid the vibrant Christmas celebrations that bring the citizenry out into the streets to revel under the stars.

Annie Rush travels to Oaxaca during this time and her world is changed because of what she learns during the trip in general, and on the Night of the Radishes in particular.


HOW DID THE IDEA FOR THE BOOK ORIGINATE?


For ten years, I've been writing fiction set entirely in Latin America, focusing wholly on the Latino heritage of my Puerto Rican mother, on the fact that, from the time I was two until I reached high school, I resided in Mexico and El Salvador, where the Foreign Service had taken my father. Though I've been bilingual from the start, during those early years, I conducted my life for the most part in Spanish.

After writing three novels, the Midwestern heritage of my father came knocking, asking for its turn. So, too, did my own Midwestern experience: When I was fourteen, I was sent to northeast Missouri, to live with my paternal grandparents on their dairy farm and to attend public high school. After graduation, I went on to get a degree in education at a nearby teacher's college. After which, I married and moved to St Louis, where my two sons were born. Some years later, the family moved to Minneapolis, Minnesota, where I've lived for the past thirty years.

A few years ago, when starting my fourth novel, I sat down at the computer and wrote in a hot flash of inspiration what turned out to be the two-page prologue of Night of the Radishes. I was amazed, and a bit frightened, at what I had done. Who is this person? I asked myself. Why this voice? This tone? Why this subject matter? None of it was like anything I'd written before. In fact, I found the territory so different, that for a time I had trouble writing more, but I pressed on. Slowly, Annie Hart Rush began to emerge and as I got to know her, I realized that she was calling me to write, not from my Latino self, but from the rural and urban Midwestern self I had set aside when I began to write.

Now I see how necessary this turn was. After almost a dozen years, I'm reclaiming my total self: a Latin-American woman, fortunate to have lived in and loved two cultures. For as many years as I have left to write, I hope to continue to dip my pen into this bilateral reality, not being surprised nor frightened at what I find there. 


DID YOUR BOOK INVOLVE ANY SPECIAL RESEARCH?

Stated in a nutshell, Night of the Radishes is about twinless-twins, about depression, survivors guilt and Mexico, as seen through the eyes of an American woman.

Though I'm a twinless-twin myself, I nonetheless read many books about the psychological effect of losing one's twin, about the almost automatic guilt one feels at being a survivor. I also read up on clinical depression, particularly on the effects of such on the family members of the depressed.

It was very important to me to get these psychological aspects right. I wanted readers who might be similarly affected to feel I knew what I was talking about.

As far as Mexico is concerned, I've been in love with it and its people since I can
remember. In fact, Anita, my younger sister, was born there.

I have visited Oaxaca four times for extended periods, and twice I was in the city for the Night of the Radishes and the Christmas celebrations. My research consisted of taking the merriment in, visiting the carving towns and some of the artisans' homes, as well. I found these families very hospitable and generous in providing me with information.

In Oaxaca, I learned to let go of my State-side ways, to surrender to the cosmic will of Mexico, a phrase I've used in the book as something Annie Rush must learn to do.

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Discussion Questions For Reading Groups

Background Information

"THE SAVING GRACE OF STORY"
by Sandra Benítez


Significance of the Title

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